Phillip Lopate was born in Brooklyn, New York in 1943, and received a BA from Columbia in 1964, and a doctorate from the Union Graduate School in 1979. He has written four personal essay collections — Bachelorhood (Little, Brown, 1981), Against Joie de Vivre (Poseidon-Simon & Schuster, 1989), Portrait of My Body (Doubleday-Anchor, 1996) and Portrait Inside My Head (Free Pres/Simon & Schuster, 2013); two novels, Confessions of Summer (Doubleday, 1979) and The Rug Merchant (Viking, 1987) and a pair of novellas (Two Marriages, Other Press, 2008); three poetry collections, The Eyes Don’t Always Want to Stay Open (Sun Press, 1972), The Daily Round (Sun Press, 1976) and At the End of the Day (Marsh Hawk Press, 2010); a memoir of his teaching experiences, Being With Children (Doubleday, 1975); a collection of his movie criticism, Totally Tenderly Tragically (Doubleday-Anchor, 1998); an urbanist meditation, Waterfront: A Journey Around Manhattan (Crown, 2004); a critical study, Notes On Sontag (Princeton University Press, 2009), a biographical monograph, Rudy Burckhardt: Photographer and Filmmaker (Harry N. Abrams, 2004), and To Show and to Tell: The Craft of Literary Nonfiction (Free Pesss, 2013). In addition, there is a Phillip Lopate reader, Getting Personal: Selected Writings (Basic Books, 2003). His latest book is the memoir, A Mother’s Tale, from OSU Press, 2017.
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