Cynthia Zarin is a poet, journalist, and children’s book author. She earned a BA at Harvard and an MFA Columbia University, and has taught at Yale. Poet-in-residence at the Cathedral of St. John the Divine, she has also been contributing to the New Yorker since 1983 and is resident writer for BalletCollective, which has staged two ballets based on her poems. Known for her exacting language, Ernest Hilbert noted that Zarin “composes formal, meditative poems that remind the reader of Elizabeth Bishop and Richard Wilbur.” Her books of poetry include The Swordfish Tooth (1989), Fire Lyric (1993), The Watercourse (2002), which won the Los Angeles Book Award, and The Ada Poems (2010), a series of poems based on Vladimir Nabokov’s classic novel Ada, or Ardor: A Family Chronicle. Using “Ada” as the speaker for the poems, Zarin riffs on impossible love in new ways. Reviewing the book in Gulf Coast, Sarah Schweig noted that Ada “doesn’t necessarily drive the invention of these poems, but gives the speaker’s own tale of desire and loss a common literary thread that refers to another story of impossible love. The poems, inventive in quieter ways, are beautifully constructed… the ruse of Ada allows the ‘I’ to say things that perhaps it couldn’t say, to speak of an otherwise unutterable longing, an irreversible loss of love.” Zarin's recent work includes the essay collections An Enlarged Heart: A Personal History (2013) and Two Cities (2020), and the poetry collection Orbit (2017).
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