Alison Kinney is the author of a book of cultural history, HOOD (2016), published by Bloomsbury’s “Object Lessons” series.
She writes a column at The Paris Review Daily on the art and artifacts of opera fandom. Her writing on culture, history, music, social justice, and art has also appeared online at Harper’s, Lapham’s Quarterly, Longreads, Hyperallergic, VAN Magazine, The Atlantic, L.A. Review of Books, Avidly, New Republic, The Village Voice, History Today, GOOD, LitHub, The Establishment, Noisey (VICE), The New York Times, and other publications.
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